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KKEKK shows the process of expanding the range
of senses by physically realizing latent fantasy
through sculptures and installations, and continues
her work crossing the boundary between fantasy
and reality.

 

Her goal is to use imagination to
realize 'Paracosm' (*a concrete fantasy world),
stimulating five senses of the audience, and
creating sympathy with each other.

은 잠재된 공상을 물리적으로 실현시켜

감각의 폭을 확장시키는 과정을 조형과

설치를 통해 보여주며, 공상과 현실의 경계를 오가는 작업을 지속하고 있다. 

 

그녀는 인공물을 기존의 시각으로 보는 것이 아니라, 생명체를 보는 것처럼 보고 공감하며,물체와 인간사이의 상호작용이 이루어진다면 어떤 네러티브가 생길지에 대한 질문을 바탕으로 작업을 이어오고있다.

 

그녀만의 상상력을 동원하여 ‘Paracosm’

파라고즘 (*구체적인 환상의 세계)을

실현시키면서 관객들에게 오감적 자극을

불러일으켜 서로간의 공감을 일으키는

시도를 지속하고있다.

based in Seoul, South Korea

kkekk.info@gmail.com

Press

Education

 

2015-2017 École supérieure des Beaux-Arts d'Angers (DNA Art-médias), Angers, France.


2005-2014 Lycée International Xavier, Seoul, South Korea.

Solo exhibition

2022   Amo's Bush, curated by Sunmean Lee, Watermark, Seoul, South Korea.

            La Danse avec Tic-Tac, curated by Yoora Jeong, Topohaus, Seoul, South Korea.

2021   Mango, curated by Yoora Jeong, Topohaus, Seoul, South Korea.

Fair

2022   Craft Trend Fair, Coex, Seoul, South Korea. 

 

            Home Table Deco, Coex Hall A-C, Seoul, South Korea.

            Urban Break, Coex Hall B, Seoul, South Korea.


Group exhibition
 

2022    10 moons and 3 Tunnels, curated by Hwang Su Kyung, Total Museum, Seoul, South Korea.

 

             Defining Use <용도의 쓸모> 제 3장, curated by Meeseek, Eulji Art Center, Seoul, South Korea.

 

             Soft Shelter, curated by Choi Jooyeon, Space B-E Gallery, Seoul, South Korea.

 

             Melting Point, curated by Häagen-Dazs, Lotte Art Hall in Lotte Jamsil Avenuel, Seoul, South Korea.

             Defining Use <용도의 쓸모> 제 1장, curated by Meeseek, Eulji Art Center, Seoul, South Korea.

   

             부드러운 간격, curated by Ko Yoonjeong, GalleryHoho, Seoul, South Korea.

2021    Flood, curated by Moon Changnam, LAD, Seoul, South Korea.

           <곳-곳>, curated by Hwang Sookyung, Gallery Sejul, Seoul, South Korea.

           Emergence and Existence of Arbitariness, curated by Meeseek, Seoul, South Korea.

 

           Ville Topiaire, curated by Pelle au Jardin, rue Mouffetard Paris 5e, France.

           Tomorrow Land, curated by Sowon Lim, OF, Seoul, South Korea.

 

2020  Prectxe 2020, curated by B39 space, Seoul, South Korea. 

           Paradis Amer, curated by Charlène Guyon-Mathé, Atelier de la Ville en Bois, Nantes, France.

           ()(Jari)(자리), curated by Al-season, 60 seconds, Seoul, South Korea.


           No space just a place : Eterotopia, curated by Gucci, Daerim Museum, Seoul, South Korea.


2019  Personal Theme Park, curated by White Noise, White Noise, Seoul, South Korea.


2017  Château en Fibula, curated by Charlène Guyon-Mathé, 3 Allée de l’Île Gloriette, Nantes, France.


          DohyeongTamgu, curated by Yoora Jeong, Topohaus, Seoul, South Korea.


          House of Dust, curated by Sébastien Pluot, TALM Angers, Angers, France.


          Dans le Hall*to sad to tell yu, rue de la röe, Angers, France.

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